Harbor

Production and Post Production Studio in New York, Los Angeles, Hollywood, London, Chicago, and Atlanta. Offering Live Action Production, Dailies, Color, Sound, ADR, VFX, Offline Editorial, and Delivery. Servicing Entertainment and Advertising industries. Crafting across genres: Feature Films, Episodic, Television, Music Videos, Super Bowl Campaigns, Commercials, Branded Content.

In The Press

#296 Nosferatu – Tonebenders Sound Design Podcast

Transforming Time: Senior Colorist Billy Hobson & Cinematographer Santiago Gonzalez for Los Frikis

Halina Reijn’s Personal Female Gaze Rulebook for Babygirl

Visualizing the Invisible: Motherhood in Marielle Heller’s Nightbitch

Director Robert Eggers and the Bloodcurdling Sound of Nosferatu #DolbyCreatorTalks

Sweetpea Q&A with DP Nick Morris & Colorist Toby Tomkins

The Spectral Vision of Fantasmas: Inside Cinematographer Sam Levy’s Frame

Reenacting Reality: The Unique Visual Style of Lance Oppenheim’s Ren Faire

Yes, we do make it out of the dark room. Sometimes.

STYLIZED REALITY: TELLING ROB PEACE’S STORY IN COLOR & SOUND

With Senior Colorist Roman Hankewycz and Cinematographer Ksenia Sereda and Director Chiwetel Ejiofor
STYLIZED REALITY: TELLING ROB PEACE’S STORY IN COLOR & SOUND
Post Production by Harbor Studios New York

CREATING IMPRESSIONS OF ’80S NEW YORK FOR NETFLIX’S ERIC

Mother, Couch: Niclas Larsson’s Lyrical Exploration of Family and Memory

Grade Expectations – Definition Magazine, Toby Tomkins on Great Expectations

WE ARE LADY PARTS — “TBD” Episode TBD — Pictured: (l-r) — (Photo by: Parisa Taghizadeh/Peacock/NBC Internatiional/C4)

Q&A with CINEMATOGRAPHER DIANA OLIFIROVA and COLOURIST TOBY TOMKINS

FROM PROMPT TO STAGE: CRAFTING AI VISUALS FOR MADONNA’S WORLDWIDE TOUR WITH DIRECTOR SASHA KASIUHA

BY DAYLIGHT AND CANDLELIGHT: EMBRACING THE DARKNESS OF GREAT EXPECTATIONS

ACTION VS. INTIMACY IN PRIME VIDEO’S MR. AND MRS. SMITH

RON HOWARD AND EDITOR PAUL CROWDER ON NEW JIM HENSON DOC, POSTPERSPECTIVE

ENTERING FX’S SPERMWORLD WITH LANCE OPPENHEIM

ED & JOE: A CINEMATOGRAPHER AND HIS COLORIST

Maxine Gervais – Meet the Artist, postperspective

RECREATING 2000S FLORIDA IN SUNCOAST WITH LAURA CHINN AND IAN CYMORE

Making the Grade: Blurring Lines in Colour with Karol Cybulski – LBB

THE “FILM LOOK” AND HOW THE HOLDOVERS ACHIEVED IT – FILMMAKER MAGAZINE

#16: The Language Of Colour – Toby Tomkins on Now Then Talks

ADRIAN SEERY ON THE GRADE FOR KELLY REICHARDT’S SHOWING UP

A CONVERSATION WITH SHANA HAGAN, ASC AND SENIOR COLORIST NICK HASSON