Harbor

Production and Post Production Studio in New York, Los Angeles, Hollywood, London, Chicago, and Atlanta. Offering Live Action Production, Dailies, Color, Sound, ADR, VFX, Offline Editorial, and Delivery. Servicing Entertainment and Advertising industries. Crafting across genres: Feature Films, Episodic, Television, Music Videos, Super Bowl Campaigns, Commercials, Branded Content.

In The Press

Maxine Gervais – Meet the Artist, postperspective

RECREATING 2000S FLORIDA IN SUNCOAST WITH LAURA CHINN AND IAN CYMORE

Making the Grade: Blurring Lines in Colour with Karol Cybulski – LBB

THE “FILM LOOK” AND HOW THE HOLDOVERS ACHIEVED IT – FILMMAKER MAGAZINE

#16: The Language Of Colour – Toby Tomkins on Now Then Talks

ADRIAN SEERY ON THE GRADE FOR KELLY REICHARDT’S SHOWING UP

A CONVERSATION WITH SHANA HAGAN, ASC AND SENIOR COLORIST NICK HASSON

HARBOR’S STEVE PERSKI DETAILS HIS APPROACH TO ADVERTISING SOUND DESIGN

Yes, we do make it out of the dark room. Sometimes.

THINKING IN SOUND: FINDING A UNIQUE SONIC IDENTITY WITH BRIAN BATTERSBY

“WATCHMEN” AND HARBOR COLORIST TODD BOCHNER JOINS FILMMAKER U!

Making the Grade: Being a ‘Swiss Army Knife’ with Billy Hobson

MEET HARBOR SENIOR COLORIST ADRIAN SEERY ON TUESDAY AT 2PM ET ON FILMMAKER U! ARTICLE COURTESY OF FILMMAKERU

Outer Range Sound: Wyoming Landscapes and Supernatural Holes – POSTPERSPECTIVE

Join us with Veteran Colorist Nick Hasson on Filmmaker U!

Joint winner for best colour grading in TV Series/Episodic: Damien Vandercruyssen at HARBOR, for ‘Lisey’s Story’

Join Filmmaker U with HARBOR Colorist Anthony Raffaele!

Meet the Artist — Video Chat: Harbor Colorist Andrea Chlebak with PostPerspective

PASSING – (L-R) RUTH NEGGA as CLARE and TESSA THOMPSON as IRENE. Cr: Netflix © 2021

Netflix’s Passing: Shot in color and delivered in B&W

Emmy-nominated Supervising Sound Editor Ian Cymore Joins Filmmaker U!

Dailies Colorist Kevin Krout Joins Filmmaker U!

Sight, Sound & Story: Live – Making it Work: From Cinematographer to Colorist